{"id":1141,"date":"2021-05-11T14:05:04","date_gmt":"2021-05-11T11:05:04","guid":{"rendered":"https:\/\/kalamatadancefestival.gr\/performances\/alexander-vantournhout-not-standing\/"},"modified":"2021-07-09T10:58:51","modified_gmt":"2021-07-09T07:58:51","slug":"alexander-vantournhout-not-standing","status":"publish","type":"performances","link":"https:\/\/2021.kalamatadancefestival.gr\/en\/performances\/alexander-vantournhout-not-standing\/","title":{"rendered":"ALEXANDER VANTOURNHOUT \/ NOT STANDING"},"content":{"rendered":"<section class=\"wpb-content-wrapper\"><p>[vc_row css_animation=&#8221;fadeInUp&#8221; bg_type=&#8221;bg_color&#8221; bg_override=&#8221;full&#8221; bg_color_value=&#8221;#ffff00&#8243;][vc_column][vc_column_text]\r\n\r\n<div class=\"headerBanner\">\r\n    \r\n        <h1><span style=\"font-weight: normal; display:block;\">Program<\/span> Black Box<\/h1>\r\n\r\n    \r\n    <img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-24\" style=\"transform: scaleX(-1);\" role=\"img\" src=\"https:\/\/2021.kalamatadancefestival.gr\/wp-content\/uploads\/2021\/04\/icon_arrow.svg\" alt=\"\" width=\"107\" height=\"20\" \/>\r\n\r\n<\/div><br \/>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; content_placement=&#8221;middle&#8221; bg_type=&#8221;bg_color&#8221; bg_override=&#8221;full&#8221; bg_color_value=&#8221;#f2f2f2&#8243;][vc_column css_animation=&#8221;fadeInLeft&#8221; width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1620375860072{padding-right: 35px !important;padding-left: 35px !important;background-color: #f2f2f2 !important;}&#8221; el_class=&#8221;columna1&#8243;][vc_column_text]\r\n<style>\r\n    #main {padding: 0;}\r\n    .post-thumbnail {display: none !important;}\r\n    .page-title.solid-bg {display: none !important;}\r\n\r\n    span.previous:hover {background: url(\/wp-content\/uploads\/2021\/05\/arrow_back_on.svg); display: block;}\r\n    span.next:hover {background: url(\/wp-content\/uploads\/2021\/05\/arrow_next_on.svg); display: block;}\r\n\r\n    span.previous:hover img {opacity: 0;}\r\n    span.next:hover img {opacity: 0;}\r\n\r\n    .links {background: #ffff00; border: 2px solid #ffff00; text-decoration: none; padding: 0 5px;}\r\n    .links:hover {background:none;}\r\n\r\n    .spot {background: black; color: white; border: 2px solid black; font-weight: bold; font-size: 20px; padding: 2px; text-decoration:none; float:left;}\r\n    .spot:hover{background: white; color: black;}\r\n\r\n    @media screen and (min-width: 1200px){\r\n        .dates {margin-top: 10px;}\r\n        .title {margin-top: 20px;}\r\n    }\r\n\r\n    @media screen and (min-width: 768px) and (max-width:1500px) {\r\n\r\n        .book {padding-bottom: 30px;padding-top: 10px; }}\r\n\r\n    @media screen and (min-width: 1500px){\r\n        .book {position: absolute;bottom: 35px;width: 80%;}\r\n    }\r\n\r\n\r\n    @media screen and (max-width: 768px){\r\n\r\n        .headerBanner {padding: 0 20px;}\r\n        .headerBanner h1 {line-height: 35px;}\r\n        .columna1 .wpb_text_column {margin-bottom: 0 !important;}\r\n\r\n        .columna1 .wpb_wrapper {\r\n            grid-template-areas:\r\n                    'workshop'\r\n                    'title'\r\n                    'dates'\r\n                    'book'\r\n                    'podcast';\r\n            display: grid;\r\n            row-gap 5px;}\r\n\r\n        .book, .dates {margin-top: 20px;}\r\n\r\n        .columna1 > div, .columna3 > div, .columna4 > div {padding: 35px;}\r\n        #main > .wf-wrap {padding: 0 !important;}\r\n    }\r\n\r\n\r\n\r\n    div.columna1.wpb_animate_when_almost_visible.wpb_fadeInLeft.fadeInLeft.wpb_column.vc_column_container.vc_col-sm-6.vc_col-has-fill.wpb_start_animation.animated > div {\r\n        -webkit-box-pack: start !important;\r\n        -webkit-justify-content: inherit !important\r\n        -ms-flex-pack: start !important;\r\n        justify-content: normal !important;\r\n    }\r\n<\/style>\r\n\r\n<div class=\"dates\" style=\"grid-area: dates;\">\r\n    <strong>23.7 | 19:30 | 60\u0384<\/strong>\r\n    <p>Kalamata Dance Megaron <\/p>\r\n    <strong><\/strong>\r\n    \r\n\r\n\r\n\r\n    \r\n\r\n\r\n\r\n    \r\n\r\n\r\n\r\n\r\n<\/div>\r\n\r\n<div class=\"title\" style=\"grid-area: title;\">\r\n            <h1 style=\"text-transform: uppercase;font-size: 35px;line-height: 35px;margin: 0 0 5px 0;\">ALEXANDER VANTOURNHOUT \/ NOT STANDING<\/h1>\r\n    \r\n    <h2 style=\"display: inline;background: #ffff00;padding: 0 5px;font-size: 25px;font-weight: normal;\"><em>THROUGH THE GRAPEVINE <\/em><\/h2>\r\n<\/div>\r\n\r\n<div class=\"book\" style=\"grid-area: book;\">\r\n\r\n\r\n            <a href=\"https:\/\/www.ticketmaster.gr\/ticketmaster_se_2005264.html?changeLanguageTo=en\"  target=\"_blank\" class=\"spot\">Book your ticket<\/a>    \r\n\r\n            <div class=\"articles_links\" style=\"float: right;display: flex;\">\r\n            <a href=\"https:\/\/2021.kalamatadancefestival.gr\/en\/performances\/athanasia-kanellopoulou\/\" rel=\"prev\"><span class=\"previous\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2021\/05\/arrow_back_off.svg\" style=\"width: 36px;display: block;\"><\/span><\/a>            <a href=\"https:\/\/2021.kalamatadancefestival.gr\/en\/performances\/oona-doherty\/\" rel=\"next\"><span class=\"next\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/2021\/05\/arrow_next_off.svg\"  style=\"width: 36px;display: block;\"><\/span><\/a>        <\/div>\r\n    <\/div> [\/vc_column_text][\/vc_column][vc_column css_animation=&#8221;fadeInRight&#8221; width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1620375868958{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}&#8221; el_class=&#8221;columna2&#8243;][vc_column_text css=&#8221;.vc_custom_1620297234414{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]\r\n<div class=\"slider-galeria\">\r\n    <div>\r\n        <a href=\"https:\/\/2021.kalamatadancefestival.gr\/wp-content\/uploads\/2021\/05\/performances_xl_alexander_vantournhout_photo_by_bart_grietens_1.jpg\" class=\"thumbnails\">\r\n            <img decoding=\"async\" src=\"https:\/\/2021.kalamatadancefestival.gr\/wp-content\/uploads\/2021\/05\/performances_xl_alexander_vantournhout_photo_by_bart_grietens_1.jpg\" style=\"width: 100%; display: block;\" >\r\n        <\/a>\r\n<\/div>\r\n    <div>\r\n        <a href=\"https:\/\/2021.kalamatadancefestival.gr\/wp-content\/uploads\/2021\/05\/performances_xl_alexander_vantournhout_photo_by_bart_grietens_2.jpg\" class=\"thumbnails\">\r\n            <img decoding=\"async\" src=\"https:\/\/2021.kalamatadancefestival.gr\/wp-content\/uploads\/2021\/05\/performances_xl_alexander_vantournhout_photo_by_bart_grietens_2.jpg\" style=\"width: 100%; display: block;\" >\r\n        <\/a>\r\n<\/div>\r\n    <div>\r\n        <a href=\"https:\/\/2021.kalamatadancefestival.gr\/wp-content\/uploads\/2021\/05\/performances_xl_alexander_vantournhout_photo_by_bart_grietens_3.jpg\" class=\"thumbnails\">\r\n            <img decoding=\"async\" src=\"https:\/\/2021.kalamatadancefestival.gr\/wp-content\/uploads\/2021\/05\/performances_xl_alexander_vantournhout_photo_by_bart_grietens_3.jpg\" style=\"width: 100%; display: block;\" >\r\n        <\/a>\r\n<\/div>\r\n    <\/div> [\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221;][vc_column css_animation=&#8221;fadeInUp&#8221; width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1620375876551{padding-right: 35px !important;padding-bottom: 35px !important;padding-left: 35px !important;}&#8221; el_class=&#8221;columna3&#8243;][vc_column_text]<span style=\"color: #0000ff;\"><strong>Find out <a style=\"color: #0000ff;\" href=\"https:\/\/2021.kalamatadancefestival.gr\/en\/ticket-information\/\" target=\"_blank\" rel=\"noopener\"><u>here <\/u><\/a>about the guidelines regarding spectators\u2019 attendance at the performances of the 27th International Dance Festival of Kalamata, in the context of the protection measures against Covid-19.<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n\r\n\r\n                                           <strong>About the workshop<\/strong>\r\n    <br><br>\r\n<p><i><span style=\"font-weight: 400;\">Through the Grapevine<\/span><\/i><span style=\"font-weight: 400;\"> is a quirky pas de deux between two men. Performers Alexander Vantournhout and Axel Gu\u00e9rin show their bodies, stripped of all frills. They are trained but certainly not perfect. They do not try to convince with virtuoso moves. Gradually, their athletic bodies collide with physical limitations and their movements guide them in the discovery of the strengths and weaknesses of their own specific physique. The choreography creates an interplay between these differences in proportions and physical strength. With great effort and concentration, the performers search for balance, equilibrium, and harmony without shying away from humour. They challenge one another and drive each other forward, alternately leading the dance. Through constant physical contact, the synergy between touching and being touched unfolds as the base melody of the performance.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Through the Grapevine<\/span><\/i><span style=\"font-weight: 400;\">, Vantournhout\u2019s first true duet, builds upon certain themes explored in <\/span><i><span style=\"font-weight: 400;\">Aneckxander <\/span><\/i><span style=\"font-weight: 400;\">(2015). The body is reintroduced in a highly pure form, and the performance delves into the creative, kinetic potential of physical limitations, a theme that is reflected throughout his oeuvre. Following the performance of <\/span><i><span style=\"font-weight: 400;\">Screws<\/span><\/i><span style=\"font-weight: 400;\"> (2019), Vantournhout dives back into theatre with Gu\u00e9rin, one of the performers in <\/span><i><span style=\"font-weight: 400;\">Red Haired Men<\/span><\/i><span style=\"font-weight: 400;\"> (2018).<\/span><\/p>\n\n<p>[\/vc_column_text][\/vc_column][vc_column css_animation=&#8221;fadeInUp&#8221; width=&#8221;1\/2&#8243; css=&#8221;.vc_custom_1620375881722{padding-right: 35px !important;padding-bottom: 35px !important;padding-left: 35px !important;background-color: #f2f2f2 !important;}&#8221; el_class=&#8221;columna4&#8243;][vc_column_text]            <strong>About ALEXANDER VANTOURNHOUT \/ NOT STANDING<\/strong>\r\n        \r\n        <br><br>\r\n        <p><span style=\"font-weight: 400;\">Alexander Vantournhout studied contemporary dance at PARTS (Performing Arts Research and Training Studios, Brussels) and single wheel at ESAC (\u00c9cole sup\u00e9rieure des Arts du Cirque, Brussels), which allowed him to focus on both artistic reflection and physical excellence, and serve as a link between circus and dance. Previous works include include <\/span><i><span style=\"font-weight: 400;\">Caprices <\/span><\/i><span style=\"font-weight: 400;\">(2014), a choreographic solo, dedicated to the music of Salvatore Sciarrino; <\/span><i><span style=\"font-weight: 400;\">Aneckxander <\/span><\/i><span style=\"font-weight: 400;\">(2015, co-created with Bauke Lievens, awarded at Circus Next 2014 and Theater Aan Zee 2015, selected for Theaterfestival 2016 and Aerowaves Network Twenty16), <\/span><i><span style=\"font-weight: 400;\">Raphael<\/span><\/i><span style=\"font-weight: 400;\"> (2017), <\/span><i><span style=\"font-weight: 400;\">La Rose En C\u00e9ramique<\/span><\/i><span style=\"font-weight: 400;\"> (2018), <\/span><i><span style=\"font-weight: 400;\">Red Haired Men<\/span><\/i><span style=\"font-weight: 400;\"> (2018), and <\/span><i><span style=\"font-weight: 400;\">Screws<\/span><\/i><span style=\"font-weight: 400;\"> (2019). Vantournhout teaches regularly at Danscentrum Jette, ESAC, and ACAPA (Academy for Circus and Performance Art, Tilburg, NL), and was a guest lecturer at DOCH Stockholm (SE), Codarts (NE), Verigo (IT), Plesni Center, Marbior (SL), and PARTS. He is artist-in-residence in Arts Centre Vooruit in Ghent, associated artist of CENTQUATRE Paris and Cirque-th\u00e9\u00e2tre Elbeuf, and cultural ambassador of the city of Roeselare. Vantournhout is supported by Fondation BNP Paribas for the development of his projects.<\/span><\/p>\n<p>&nbsp;<\/p>\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n<style>\r\n    .tab {overflow: hidden;}\r\n    .tab button {float: left; border: none; outline: none; cursor: pointer; padding: 7px 5px; transition: 0.3s; margin-right: 10px; font-size: 17px; background: white;}\r\n    .tab button:hover {background-color: #ffff01;}\r\n    .tabcontent ul li:before {content: ''; position: absolute; border-right: 2px solid #393939; border-bottom: 2px solid #393939; width: 7px; height: 7px; margin-left: -20px; margin-top: 11px; transform: translateY(-50%) rotate(-45deg);}\r\n    .tabcontent ul {list-style: none;padding-bottom: 30px;position: relative;}\r\n    .tabcontent li {line-height: 22px;margin-bottom: 8px;}\r\n    .tab button.active {background-color: #ffff01;}\r\n    .tabcontent {display: none;}\r\n\r\n\r\n\r\n@media screen and (max-width: 1024px) {\r\n.tab button {\r\n    float: none !important;\r\n    margin: 10px;\r\n    display: block;\r\n}\r\n}\r\n\r\n\r\n<\/style>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"featured_media":702,"template":"","class_list":["post-1141","performances","type-performances","status-publish","has-post-thumbnail","hentry","description-off"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.14 - 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